When Kurosawa painted for his storyboards he didn't try to represent a movie shot, but a vision in his mind's eye. The shot is one translation of that vision. The cornerstone of any art is vision
When Kurosawa painted for his storyboards he didn't try to represent a movie shot, but a vision in his mind's eye. The shot is one translation of that vision. The cornerstone of any art is vision pic.x.com/KDt5K1mCrz
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