2025年2月28日金曜日

ヴァン・モリソン – For Mr. Thomas 歌詞 | Genius 歌詞

Van Morrison – For Mr. Thomas Lyrics | Genius Lyrics

For Mr. Thomas

[Verse 1]
From faded newsprint used to wrap a fish
Inscrutably the muse selects your face
As I sit drinking famously in an Irish bar
Five thousand miles and thirty years away

[Verse 2]
With all the usual ceremonial you were crowned one night
King of the field where doctors nail the cows
To make of the cock's quill the rights of language
And the pricking heart a sword against the hours

[Verse 3]
Let smirking scholars writhe in their favourite bondage
And hold you plaintiff to the charge of art
Exhibit A: He falls on legendary lines
Singing mother I don't want a pain here in my heart (Alright)

[Guitar Solo]

[Verse 4]
The judge in me sucks eggs and jerks the sacred meat
But the boy in me still dreams in Milk Wood town
Like two provincial bastards playing the galleries
I hold your photo to the mirror upside down

[Verse 5]
And as bacon wafts through hungry streets, your ghost prevails
Just like an old ex-boxer aged twenty-two
Staged up like Falstaff or the wild Welsh Rimbaud
You would love to see the monograms they make of you

[Verse 6]
Ah, Mr. Thomas, let us ramble through the midnight fair
Let us throw bottles at the ferris wheels
Let us paint library on the library, let us raid the moonlight
Let us steal whatever we're supposed to steal (One more)

[Verse 7]
Let us watch while the days grow daily more mundane
That rough God go riding with his shears
Hack wide the belly of the swollen mountains
And rip molten heroes forth from his furious tears

[Verse 8]
Oh, Mr. Thomas, oh, Mr. Thomas
And let us steal whatever we're supposed to steal
Mr. Thomas, oh, Mr. Thomas
Why don't we feel whatever we're supposed to feel?
Oh, Mr. Thomas, Mr. Thomas
Why don't we feel whatever we're supposed to feel?

[Verse 6]
Oh, Mr. Thomas let us ramble through the midnight
Let us throw bottles at the ferris wheel
Let us paint library on the library, let us raid the moonlight
Let us steal whatever we're supposed to steal

名もなき者

 
 
slowslow2772
⁦‪@slowslow2772‬⁩
Bob Dylan - I Was Young When I Left Home (Official Audio) youtu.be/K6scwWSgFvo?si…
モデル問題だろうが左翼活動家としてのスーズ・ロトロを描かないので、ラスト30分はピートシーガーが可哀想としか思えない。
役者自身の演奏は驚異的。
『名もなき者』は途中まで傑作。
 
2025/02/28 18:13
 
 
Bob Dylan - I Was Young When I Left Home (Official Audio) youtu.be/K6scwWSgFvo?si… 
モデル問題だろうが左翼活動家としてのスーズ・ロトロを描かないので、ラスト30分はピート・シーガーが可哀想としか思えない。
役者自身の演奏は驚異的。
『名もなき者』は途中まで傑作。
今はむしろフォーク、左翼運動に戻るべきだ。この映画の前半の輝きが正しい。
アコースティックにディストーションをかければいい。
エレキ、非エレキの区分はナンセンス。

椅子の後片付けぐらい手伝えと映画の主人公に言いたい。

2025年2月27日木曜日

DepressedBergmanさんによるXでのポスト パゾリーニ

 
 
DepressedBergman
⁦‪@DannyDrinksWine‬⁩
Pier-Paolo Pasolini on the filmmakers who influenced him:

"There are three of them who influenced me: Dreyer, Chaplin and Mizoguchi.

If you analyze 'Accattone' (1961) you'll see that Dreyer's 'Passion de Jeanne & Arc' (1928) has influenced me by giving me the sense of the… pic.x.com/npmwVPMq39
 
2023/12/07 3:17
 
 
ピエル=パオロ・パゾリーニが彼に影響を与えた映画監督について語る。

「私に影響を与えたのは、ドライヤー、チャップリン、溝口の3人です。

『アッカトーネ』(1961年)を分析すると、ドレイヤーの『ジャンヌとアークの受難』(1928年)が、クローズアップの感覚、比喩的な厳しさ、先ほど言った視覚的な厳しさの感覚を与えて私に影響を与えていることがわかるでしょう。

これは私が若い頃に見た写真で、ずっと大好きでした。私の映画的、視覚的なモデルのひとつです。」

Lt. W.R. Corbitt of Company K Tennessee Cavalry requests p… | Flickr

https://www.flickr.com/photos/littlejohncollection/2822909214

時代を生き延びた男-フランク・ジェームズ

時代を生き延びた男-フランク・ジェームズ

時代を生き延びた男-フランク・ジェームズ

ボブ・ディラン氏によるフランク・ジェームズの最後の遺言

ボブ・ディランは昨日、彼のインスタグラムアカウントにこのビデオを投稿しました。

YouTubeやその他の場所にこのビデオのソースはありません。Instagramのビデオとしてのみ発信されているようです。テキスト自体のソースも同様にありません。これにより、多くの人がボブ・ディランだけが知っているソースから取られたと推測しています。おそらく100年以上前に出版されたものです。また、米国議会図書館が保有するものと一致していないようです。興味をそそる。ボブ、いつもありがとう。

フランク・ジェームズの最後の遺言

ご列席の皆様、私は今夜、無法者として、兵士としてではなく、時代を生き延びた男として、皆さんの前に立ちます。私は南北戦争の戦場、フロンティアの無法な平原、無法者の道のほこりっぽい道を横断してきました。そして今、私の老後、私はかつて私が知っていた人生が薄暗いパーラーで語られた物語に他なるまで、私の周りの世界が変化するのを見てきました。

私は1843年にミズーリ州クレイ郡の静かな農場で生まれました。そこでは、バプテストの説教者である父がろうそくの光で聖書を読み、母ゼレルダが鉄の意志で家を支配していました。歩く前に、私は馬の背中に投げつけられ、話すのに十分な年齢になった頃には、ミズーリ州の丘を風のように速く走り回ることができました。あれは少年時代の冒険の時代だった。

弟のジェシーは4歳年下でした。おそらくあなたは彼のことを聞いたことがあるでしょう。私たちは夏を家の近くの小川の涼しく澄んだ海で泳いだり、岩から飛び降りたり、ミノーの追跡をしたり、世界中のすべての時間のように笑ったりして過ごしました。しかし、時間は待たず、世界は男の子の夢を気にしません。

私の父はゴールドラッシュで私たちをカリフォルニアに残し、二度と戻ってこなかった。彼の代わりに、彼は金よりも私を形作ったもの、つまり彼の本を残しました。その中にはシェイクスピアの言葉があり、私は宴会で飢えた男のようにそれらを読みました:*ハムレット、ジュリアス・シーザー、マクベス*-彼らの言葉は私の心に焼き付きました。そして、私がブッシュワッカーとしてサドルに乗っていたときでさえ、数十年後に法廷に立っていたときでさえ、私はまだ彼らがエコーするのを聞くことができました。しかし、世界中のすべての詩は戦争の嵐を止めることができませんでした。

戦争について聞きたいですか?クアントリル、ブラッディ・ビル・アンダーソン、そして私たちが地獄を追いかけて乗った日々について?あなたが私にそれを尋ねるなら、私はあなたが理解したほうがいいと思います-戦争は物語のようなものではありません。それは清潔ではないし、勇敢でもないし、確かに公平ではない。

戦争がミズーリ州に起こったとき、私はまだ18歳の少年でしたが、ミズーリ州はすでに何年も前から戦場でした。ジェイホーカーズ、ユニオン民兵、ブッシュワッカーズ-私たちは隣人と隣人、兄弟と兄弟と戦った。それは前線もなく、ルールもなく、慈悲もない戦争でした。

だから私はクアントリルのレイダースに参加しました。選択の余地があったからではなく、戦争が私に何も与えなかったからです。私たちは馬に乗った幽霊で、影から襲い、激しく乗って、煙が晴れる前に丘の中に消えました。私たちは軍隊ではありませんでした。私たちは復讐に駆られた旋風で、北軍が盗んだものを取り戻し、彼らが私たちに与えたのと同じ地獄を与えました。

**ローレンス、カンザス州、1863年。** それは人々が最も話題にしているものです。私たちは夜明け前に、クアントリル自身が率いる400人の強力な男性に乗って入りました。町は、ミズーリ州に襲撃者を送り、家を燃やし、親族を殺すために、連合主義者、奴隷制度廃止論者でいっぱいでした。路上で銃撃され、空を照らす松明、武器をつかむ前に倒れる男たちなど、嵐のように彼らを襲った。私たちが馬に乗って出かける前に、150人の男と少年が死んでいた。それを虐殺と呼ぶ人もいた。私たちはそれを戦争と呼んだ。

そして、1864年、**セントラルリアがありました。**それはクアントリルの襲撃ではなく、ブラッディ・ビル・アンダーソンの襲撃だった。しかし、私はそこにいました。休職中の北軍兵士でいっぱいの列車が通り抜けた。私たちはそれを止め、彼らを一人ずつ引きずり下ろし、並べました。彼らは自分たちが囚人になると思った。代わりに、彼らは処刑されました-最後の一人ずつ。何人かの少年たちは死者の頭皮を剥がしました。これは、ミズーリ州が彼らのものではないという連邦へのメッセージです。

それは野蛮だったと思うかもしれません。しかし、私はあなたに言わせてください-そのように戦ったのは私たちだけではありません。北軍は捕まえたすべてのゲリラを殺した。試練なし、慈悲なし。もしあなたが灰色を着ていたとしても、あるいは私たちのような男性を助けていると疑われても、あなたの家は燃え、あなたの家族は苦しみ、あなたは木にぶら下がっていました。

私たちは将軍や戦場のために戦わなかった。私たちは復讐のために戦った。私たちは北軍の補給線を攻撃し、哨所を燃やし、夜に兵士を待ち伏せしました。私たちは動物のように狩られた。しかし、私たちを狩る人たちは?彼らは死そのものを恐れるよりも私たちを恐れた。

私はクアントリルと一緒に乗った。ブラッディ・ビル・アンダーソンと。次の冬を見るために生きることを期待していなかった男性と。ジェシーは若かった-彼が参加したときはまだ緑だった-しかし、戦争は彼をすぐに硬化させた。彼は殺す方法、最初に攻撃する方法、決して躊躇しない方法を学びました。

しかし、1865年までに、戦争は敗北した。南が陥落した。クアントリルは死んだ。そして、ミズーリ-ミズーリは決して同じではありませんでした。突然平和を見つけたので、私たちは腕を下ろしませんでした。戦うものが何も残っていなかったので、私たちは止めました。

だから、あなたは私の功績について私に尋ねます。たくさんあった。いくつかは私が話します。いくつかはしません。戦争は男から男を作り、男から怪物を作った。そして、それがいつ終わったのか?まあ、私たちの何人かは乗るのをやめなかった。

戦争が終わったとき、ジェシーと私は15年間戦い続けた。ジェシーと私は、コール・ヤングと私たちのギャングと一緒に、銀行、電車、駅馬車を強盗し、銃で暮らしました。私たちはお金で買える最高の馬に乗り、必要なときに盗み、あえて私たちを追いかける法執行官を追い越すことができました。私たちは星空の下で、納屋で、まだ私たちを南軍の英雄と見なしている男性と女性の家で眠りました。

そして、それは人々が私によく尋ねる何かに私をもたらします-私はそのような良いライダーだったから、私は長い間生き延びましたか?

なぜ私があんなに立派なライダーだったのかと聞かれますか?そうしなければならなかったからです。

私は学校や騎兵隊のキャンプで乗馬を習わなかった。私は歩く前にコンドームをつけず、バランスと膝のグリップだけでミズーリ州の丘を走り抜けました。馬を道具のように扱う人もいます。私はパートナーのように扱った。私は彼をどこまで押し進めることができるか、彼と一緒に動く方法、自分の本能と同じくらい彼の本能を信頼する方法を知っていました。

さて、ジェシーは?彼は速かった。彼は大胆不敵だった。しかし、彼は生きたように走りました-無謀で、大胆で、時には結果について考え直さずに。彼はほとんどの男性を追い越すことができる。しかし、彼は私のように馬を読みませんでした。彼はスピードが欲しかった。コントロールしたかった。

彼は良かった、それについては間違いない。しかし、彼は私と同じくらい良かったのですか?もし彼がここにいたら、彼はそれを主張するとは言いません。

そして、私はそれのおかげで生き延びたと思いますか?絶対に。

私と弾丸の間にある唯一のものは、私の馬のスピードだった時がありました。必要なときに一生懸命乗れる。しかし、もっと重要なことは、私は賢く乗ることができたということです。上手なライダーは疾走の仕方を知っているだけではありません。彼はいつ減速するか知っている。いつ織るか。ブラシの中に消えて、部隊に影を追いかけさせるとき。

私が生き延びたのは、パニックにならず、馬を無駄にせず、アドレナリンに考えさせなかったからです。速い馬が彼を救ってくれると思ったので、多くの男性が撃たれました。しかし、賢い騎手?彼は、最良の脱出は、常にまっすぐ進むことではないことを知っています。

それは法律が見ようとは思わないところにある。

そして、それが私がここにいる理由です-まだ呼吸しています-私の種類のほとんどがほこりの下に埋もれた後もずっと。

コメントを残す

フランク・ジェームズの最後の遺言-ブリット・アイズナー

The Last Testament of Frank James - Britt Eisnor

The Last Testament of Frank James

Full transcript of the video below!

Last night, Bob Dylan posted a video to his instagram with a monologue being read out over a still composite image. The monologue presents itself as being "The Last Testament of Frank James". That is, the older brother of notorious outlaw Jesse James. The voice reading out the monologue curiously has a British accent, and delivers it in the way someone reading out an old letter on a history channel documentary might. Some people are suggesting the text was fed into an AI text vocalizer, but I'm not completely convinced of that. This much is true- the source of the text and of the video is a complete mystery.

The image accompanying the video is comprised of the two below:

An 1877 photograph of two men standing outside Jesse James' house:

This portrait of Frank James:

This exact version, with the round frame, was sourced from Alamy- something that almost suggests to me that this video WAS created by some sort of educational or historical dramatization resource. The whole thing comes off so much like a piece of museum exhibit or History Channel special; with perhaps the exception of the poetic writing, which some people have pointed out wouldn't sound out of place in Bob's 2003 film, Masked and Anonymous.

If you want to get really dorky with it, the typeface on the image is Fixture Condensed Bold.

Did Bob write it? Is it from some obscure documentary? Did he pull it off a VHS from a 1990s public school classroom? Time will hopefully tell!

Below is a transcript of the entire monologue:

Ladies and gentlemen, I stand before you tonight not as an outlaw, not as a soldier, but as a man who has outlived his time.

I have ridden across the battlefields of the Civil War, the lawless plains of the frontier, and the dusty roads of the outlaw trail.

And now in my old age I have watched the world change around me, until the life I once knew is no more than a tale told in dimly lit parlours.

I was born in 1843 in Clay County, Missouri, on a quiet farm where my father, a Baptist preacher, read scripture by candlelight, and my mother, Zirelda, ruled the house with a will of iron.

Before I could even walk, I was thrown onto a horse's back, and by the time I was old enough to speak, I could ride bareback as fast as the wind through the Missouri hills.

Those were the days of boyhood adventures.

My brother Jesse was four years younger, perhaps you've heard of him.

We spent our summers swimming in the cool, clear waters of the creek near our home, diving from rocks, chasing minnows, and laughing like we had all the time in the world.

But time does not wait, and the world does not care for the dreams of boys.

My father left us for California in the Gold Rush and never returned.

In his place he left behind something that shaped me more than gold ever could.

His books.

Among them were the words of Shakespeare, and I read them like a starving man at a feast.

Hamlet, Julius Caesar, Macbeth, their words burned into my mind.

And even when I rode in the saddle as a bushwhacker, even when I stood in a courtroom decades later, I could still hear them echoing.

But all the poetry in the world could not stop the storm of war.

You want to hear about the war?

About Quantrill, Bloody Bill Anderson, and the days when we rode with hell on our heels?

You ask me that.

I reckon you better understand.

War ain't like the stories.

It ain't clean, it ain't gallant, and it sure as hell ain't fair.

I was just a boy of 18 when the war came to Missouri, but Missouri had already been a battlefield for years.

Jayhawkers, Union militia, bushwhackers.

We fought neighbor against neighbor, brother against brother.

It was a war with no front lines, no rules, and no mercy.

So I joined Quantrill's Raiders.

Not because I had a choice, but because the war gave me none.

We were ghosts on horseback, striking from the shadows, riding hard, vanishing into the hills before the smoke cleared.

We weren't an army.

We were a vengeance-driven whirlwind, taking back what the Union troops had stolen, giving them the same hell they gave us.

Lawrence, Kansas, 1863.

That's the one folks talk about the most.

We rode in before dawn, 400 men strong, led by Quantrill himself.

The town was full of Unionists, abolitionists, men who had sent their own raiders into Missouri to burn homes and kill our kin.

We hit them like a storm.

Gunfire in the streets, torches lighting up the sky, men falling before they could even grab their weapons.

150 men and boys lay dead before we rode out.

Some called it a massacre.

We called it war.

And then there was Centrelia, 1864.

That wasn't Quantrill's raid, that was Bloody Bill Anderson's.

But I was there.

A train came through, full of Union soldiers on furlough.

We stopped it, dragged them off one by one, and lined them up.

They thought they'd be prisoners.

Instead they were executed, every last one of them.

Some of the boys even scalped the dead.

A message to the Union that Missouri was not theirs.

You might think that was savage, but let me tell you, we were not the only ones who fought that way.

The Union forces killed every guerrilla they caught.

No trials, no mercy.

If you wore the gray, or even if you were just suspected of helping men like us, your house burned, your family suffered, and you were left hanging from a tree.

We didn't fight for generals or battlefields.

We fought for revenge.

We hit Union supply lines, burned down posts, ambushed soldiers in the night.

We were hunted like animals, but the ones hunting us, they feared us more than they feared death itself.

I rode with Quantrill, with Bloody Bill Anderson, with men who didn't expect to live to see the next winter.

Jesse was younger, still green when he joined, but the war hardened him quick.

He learned how to kill, how to strike first, how to never hesitate.

But by 1865 the war was lost.

The South fell, Quantrill was dead, and Missouri?

Missouri was never the same.

We didn't lay down our arms because we suddenly found peace.

We stopped because there was nothing left to fight for.

So you asked me about my exploits?

There were plenty.

Some I'll speak of, some I won't.

War made men out of boys, monsters out of men, and when it was over, well, some of us never stopped riding.

And when the war was done, Jesse and I, we fought on.

For 15 years, Jesse and I, along with Cole Younger and our gang, robbed banks, trains, stagecoaches, and lived by the gun.

We rode the best horses money could buy, stole them when we had to, and could outrun any lawman who dared chase us.

We slept under the stars, in barns, in the homes of men and women who still saw us as Confederate heroes.

And that brings me to something folks often ask me.

Did I survive so long because I was such a good rider?

You ask why I was such a fine rider?

Because I had to be.

I didn't learn to ride in a school or in a cavalry camp.

I learned bareback before I could walk, riding through the hills of Missouri with nothing but my balance and the grip of my knees.

Some folks treat a horse like a tool, I treated mine like a partner.

I knew how far I could push him, how to move with him, how to trust his instincts as much as my own.

Now, as for Jesse, he was fast.

He was fearless.

But he rode like he lived, reckless, daring, sometimes without a second thought for the consequences.

He could outrun most men, but he didn't read a horse the way I did.

He wanted speed, I wanted control.

He was good, no doubt about it.

But was he as good as me?

I don't reckon he'd argue it if he were here.

And do I think I survived because of it?

Absolutely.

There were times the only thing between me and a bullet was the speed of my horse.

I could ride hard when I needed to, but more importantly, I could ride smart.

A good rider doesn't just know how to gallop.

He knows when to slow down, when to weave, when to disappear into the brush and let the posse chase shadows.

I survived because I didn't panic, didn't waste my horse, and didn't let adrenaline do my thinking for me.

Many a man got himself shot because he thought a fast horse would save him.

For the smart horseman?

He knows that the best escape isn't always straight ahead.

It's in the places the Lord don't think to look.

And that's why I'm here, still breathing, long after most of my kind are buried beneath the dust.

But time, you see, has no allegiance to men like us.

The frontier was closing.

The railroads which we had once raided so easily stretched further and further west.

The telegraph sent news faster than any horse could ride.

Lawmen were better organized, better armed, and less afraid.

Then came Northfield, Minnesota, 1876.

We rode in thinking we were unstoppable, but those townsfolk they weren't afraid.

They fought back.

Cole Younger and his brothers were shot to pieces and captured, and Jesse and I.

We ran for our lives, covering nearly 500 miles on foot and horseback before we made it home.

What went wrong at Northfield?

Hell, what didn't?

We had pulled off plenty of jobs before, banks, trains, stagecoaches.

Always outsmarting the law, always staying one step ahead.

But Northfield?

That was different.

That was the one that broke us.

First off, we were too far from home.

We weren't in Missouri or Kentucky where folks might look the other way or even tip their hats to us.

We were in Minnesota, Union country, and we underestimated those people.

See, we thought it'd be like any other town where fear and speed would win the day.

We thought we could ride in, pistols drawn, and be out before anyone knew what hit 'em.

But those folks?

They didn't scare easy.

We split into groups, some of us inside, some outside.

The plan was simple, get in, force the banker to open the safe and get out.

But from the start, things went bad.

The banker, Joseph Lee Haywood, refused to open the vault.

He stood there and told us it was on a time lock, wouldn't budge no matter what we did.

Maybe he was lying, maybe not.

But we threatened him, pistol whipped him, even cut him with a knife.

And still, that man stood his ground.

Meanwhile, out in the street, the whole town figured out what was happening.

Instead of running, they armed themselves.

Storekeepers, blacksmiths, farmers, men who should have had no business standing up to us grabbed their rifles, climbed onto rooftops, and started shooting.

We weren't prepared for a damn war in the middle of the street.

Bullets were flying from every direction, and we couldn't tell where they were coming from.

The boys outside were pinned down, and inside, we had nothing but an empty vault and a dead banker.

That's when we knew we had to get out, fast.

We barely made it to our horses, but even then, it wasn't over.

The town didn't just let us ride away.

They chased us for days.

Possies, bounty hunters, men on horseback hunting us through the woods and prairies.

We lost our way, ran low on food, and before it was all over, the youngers were shot to pieces and captured.

It was the worst damn disaster we ever had.

So what went wrong?

We underestimated those people.

We went in thinking it'd be another easy job, but they fought back, and they fought back hard.

We were used to fear working in our favor, but Northfield didn't fear us, and because of that, the James Younger gang died in Minnesota.

Only Jesse and I made it out, but we never rode with a gang like that again.

After Northfield, the Golden Days were done.

That was the beginning of the end.

Jesse wanted to keep going, keep fighting, but I saw the writing on the wall.

The world was moving on without us.

It was during these years that I found something Jesse never had, peace.

I met a woman named Annie Rolston, the daughter of a wealthy businessman from Independence, Missouri.

She was educated, refined, and strong, a woman who saw more in me than an outlaw.

We married in 1874, and for the first time in my life, I dreamed of something more than running.

Love?

A man like me doesn't get to carry much of that in his saddlebags, not when he spent his life riding from one war to the next.

But yes, there was love.

I loved the land I was born on, the rolling hills of Missouri, the creek where Jesse and I swam as boys, the feel of a horse beneath me and the wide open sky above.

I loved my family, my mother, Zirelda, as tough as they come, who held that house together through war, loss, and the Pinkertons who tried to burn it down.

And Jesse, my brother, who was too wild for the world he lived in, but who I never stopped watching over, even when he wouldn't listen.

And then there was Annie, my wife, the woman who saw something in me beyond the outlaw, beyond the gun.

She came from a different world, educated, refined, everything I wasn't.

But she chose me anyway.

She gave me a home when I was ready to stop running, and a son, Robert Franklin James, who I lived long enough to see grow into a man.

Yes, there was love, but love and an outlaw's life, they don't fit in the same saddle.

I had to put down my guns before I could hold on to the things that mattered, and by the time I did, most of what I had loved was already gone.

So yes, son, there was love, but it was a hard thing to hold on to when you're always looking over your shoulder.

Honor.

Now, there's a word that's been stretched and bent so many ways.

Sometimes wonder if anyone truly knows what it means.

Did I live an honorable life?

Depends on who you ask.

To the Pinkertons, the lawmen, the bankers, I was a thief, a rebel, a scourge that needed to be stamped out.

To the folks who lost money when Jesse and I rode through town, I reckon they'd say I was nothing more than a common criminal.

But honor?

Honor ain't about what the law says, it's about how a man carries himself, how he treats the ones who ride beside him, and whether he can look in the mirror without flinching.

I never killed a man who didn't put himself in the fight first.

I never shot a man in the back.

I never turned on my own.

I kept my word when I gave it, and when I saw the world changing, when I knew the outlaw days were done, I didn't lie to myself.

I stepped away.

I surrendered with my head held high.

Sincere?

I was always sincere.

Whether I was riding with Quantrill, holding up a train, or sitting in a courtroom facing a judge, I never pretended to be something I wasn't.

I didn't try to charm the law into letting me go.

I didn't sell out my brother or my friends to save my own hide.

I didn't hide behind excuses.

So, was I honorable?

I wasn't good in the way folks like to write about in books, but I was true to the life I lived.

And that, I reckon, is the only kind of honor a man like me ever had a chance at.

Regret.

Now, that's a word folks like to throw around.

Do I regret the years I spent as an outlaw?

If I say yes, I'd be a liar.

If I say no, I'd be a fool.

I will tell you this.

A man does what he must to survive the times he's given.

When the war ended, there was no homecoming for men like me.

No warm welcome back into society.

You were hunted, dispossessed, and left with nothing but the guns on our hips.

If we had lain down our arms and begged for mercy, do you think the victors would have shown us any?

No, sir.

The banks we robbed weren't just holding money.

They were holding power.

The kind of power that crushed men like us underfoot.

The railroads weren't just laying track.

They were laying claim to land that didn't belong to them.

So no, I don't regret fighting back.

I don't regret riding fast, shooting straight, or outsmarting the law when the law had already judged me guilty.

But do I regret the hardship?

The blood?

The loss?

Yes.

I regret Jesse dying the way he did, shot in the back in his own home.

I regret my mother losing a son and nearly losing her life at the hands of the Pinkertons.

I regret the youngers spending their best years behind bars while I had the luck to walk free.

And I regret that the world changed faster than we could.

You see, we weren't just running from the law.

We were running from time itself.

And time, time never loses.

Ray PadgettさんによるXでのポスト トム・ウェイツ