"In 'Salo' (1976), sex is nothing but an allegory of the commodification of bodies at the hands of power. I think that consumerism manipulates & violates bodies as much as Nazism did. My film represents this sinister coincidence between Nazism & consumerism."
"In 'Salo' (1976), sex is nothing but an allegory of the commodification of bodies at the hands of power. I think that consumerism manipulates & violates bodies as much as Nazism did. My film represents this sinister coincidence between Nazism & consumerism." --- Pasolini
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